This was at SEMA this year. And yes, that's an airbrushing of Megan Fox on the hood, posing as Mona Lisa. With a mustache. I cannot begin to fathom exactly why it exists.
A blog devoted to RANTS ON AUTOMOTIVE DESIGN, car reviews, and - above all - fugly autos. whether looking for vehicular plagiarism or rides of extreme tastelessness, you've come to the right place.
Friday, December 05, 2014
Ford X2000
I kinda feel bad posting this, as it's an impressive achievement for one man to create. However, that doesn't stop it from being ugly.
Back in 1958, Ford teased the public with a series of wildy futuristic cars with wildy futuristic powertrains. Problem was, the majority were just small models. I'm not sure if it was for cost reasons, or because the logistics and risks of building a nuclear powered car were too overwhelming. Regardless, it's probably good thing the roads were never populated by bad drivers strapped to atom bombs.
One of these cars, called the X2000, inspired a British gentleman named Andy Saunders to build a full size version out of a 1962 Mercury. What you see here is the result. While quite close, things get a bit wonky when forced to adhere to the constrains of your typical front-engine production car.
Back in 1958, Ford teased the public with a series of wildy futuristic cars with wildy futuristic powertrains. Problem was, the majority were just small models. I'm not sure if it was for cost reasons, or because the logistics and risks of building a nuclear powered car were too overwhelming. Regardless, it's probably good thing the roads were never populated by bad drivers strapped to atom bombs.
The original model from 1958.
One of these cars, called the X2000, inspired a British gentleman named Andy Saunders to build a full size version out of a 1962 Mercury. What you see here is the result. While quite close, things get a bit wonky when forced to adhere to the constrains of your typical front-engine production car.
Andy Saunder's full-size replica.
Fake Plastic Windows
The Toyota Camry is as much of an appliance as it is a car. People buy them because they're dependable, put together well and get you from point A to point B. They have about as much style and emotion as a refrigerator.
For 2015, Toyota hopes to at least change the its style to be something more than a generic transportation device. The changes are most obvious up front, where squinty headlights and a gaping grille lend a more sinister appearance that aligns more with the new gaping mouths on the Corolla and Avalon, as well as the recently facelifted X-nosed Yaris.
However, as you move toward the back of the car, it's more obvious that this is just a facelift as the rest of the car shares much with the last generation model. And then you get to the D pillar.
It's as if the stylists at Toyota thought the car from the A-pillar back was too recognizably "old", so they stuck a black and chrome applique on the D-pillar to badly simulate an elongated greenhouse. It looks fake, and messes up the car's lines - it's basically change for the sake of change. Were it not for that sad piece of plastic, the refreshed Camry would not be featured on this blog.
The "sporty" Camry SE gets an aggresive new maw.
For 2015, Toyota hopes to at least change the its style to be something more than a generic transportation device. The changes are most obvious up front, where squinty headlights and a gaping grille lend a more sinister appearance that aligns more with the new gaping mouths on the Corolla and Avalon, as well as the recently facelifted X-nosed Yaris.
Your run-of-the-mill 2015 Camry, soon to be seen clogging Wal-Mart parking lots.
However, as you move toward the back of the car, it's more obvious that this is just a facelift as the rest of the car shares much with the last generation model. And then you get to the D pillar.
Window? Windon't.
It's as if the stylists at Toyota thought the car from the A-pillar back was too recognizably "old", so they stuck a black and chrome applique on the D-pillar to badly simulate an elongated greenhouse. It looks fake, and messes up the car's lines - it's basically change for the sake of change. Were it not for that sad piece of plastic, the refreshed Camry would not be featured on this blog.
The Navigator is Lost
The 2015 Navigator is a bit of an automotive Coelacanth. Fresh from a recent facelift, its basic bones date back to its previous redesign in 2007, and that redesign looked like a mild evolution the one that proceeded it, which was introduced in 2003. 8 years is a lifetime in automotive evolution, where most cars would have been completely redesigned at least a couple times.
Improving on the 2007 Navigator shouldn't have been too difficult. 2007 was a time of uncertainty at Lincoln, as the brand didn't seem to know where it was going in terms of style. The 2003 Navigator was filled with outdated Lincoln cues - the vertical waterfall grille and taillights looked like your Grandfather's Town Car. In the mid-2000s, Lincoln released a series of concepts using the 1963 Continental as inspiration. The Navigator was one of the first Lincoln production cars to adopt a similar style, consisting mainly of a new glizty horizontal grille and wide rectangular taillights.
Where the 1963 Continental was understated and elegant, the same cues on the 2007 Navigator were awkward and garish. In my eyes it looks more like the tacky Lincoln luxo-barges of the 70s than it's stylish precedessors.
Which brings us to 2015. Lincoln must have realized translating the new "Continental" look into production cars that were basically warmed over Fords would be difficult. The only other Lincoln to share a similar face was the Lincoln MKX, and after which Lincoln began to phase in it's dual waterfall grille (another heritage based design that looks back to the Lincoln Zephur of the 1940s, and equally as polarizing).
Being the only holdover to the "1963" look, Lincoln designers decided to hack up the front end to add in a dual waterfall grille to match the rest of Lincoln's lineup. If you've seen the rest of Lincoln's lineup, you'll understand that making this front end treatment look good can be rather difficult. Especially when you're trying to splice it onto a boxy SUV that's basically a decade old.
Out back things look even worse, as Ford has obviously tried to keep sheetmetal changes to a minimum. The taillights are still huge, now full width but slightly narrower. The turn signal placement on the bottom of the outer pieces line up with cutlines in the tailgate, but the piece in the tailgate is painted body colour and will clash with the turn signals in any colour other than silver. I can only assume this is a stop-gap model until Ford develops a new Expedition and Navigator from the F-150's new aluminum intensive body. Let's hope the next Navigator corrects it's course.
Cadillac Seville Opera Coupe
I've posted the Seville Opera Coupe before, but one just came up for sale on eBay. It's in beautiful condition, yet still quite ugly. The perfect car to overcompensate for your manhood or lack thereof.
Subscribe to:
Posts (Atom)